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Christopher Alexander owns what many now believe to be the finest collection of early Turkish carpets in the western world, with perhaps half being the only specimens of their kind anywhere. In this richly illustrated, oversized volume--featuring four hundred illustrations, eighty in full color--Alexander takes readers on an engaging tour of his fabulous collection.
Readers will see a 13th-century Seljuk Carpet with Dragons, a 15th-century Animal Carpet, a scarlet-niched Transylvanian Prayer Rug, a turquoise Lattice Carpet from Alcaraz, a 16th-century blue Medallion Keyhole Design from Bergama, a rare 16th-century White Field Bird Carpet, the dazzling color and brilliant geometry of a 15th-century Karapinar with Three Gulls, and perhaps Alexander's favorite, a 15th-century Star Karapinar with Flowers (whose designs he describes as "the high point of all Sufi art, the state of liberation, in which the artist is so free, that he is able to be completely natural"). In addition, Alexander elaborates on his theory that these carpets teach structure to artists and architects through the beauty of their form.
This lavishly produced volume makes an important contribution to the world of rug scholarship. Equally important, Alexander's thoughtful meditations on these pieces will fascinate the many architects, artists, and planners who follow his work.
- Sales Rank: #2845929 in Books
- Published on: 1993-11-11
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.05" w x 12.06" l,
- Binding: Paperback
- 352 pages
Review
"Profoundly thrilling.... A trip through space and time: for Alexander...Turkish carpets are portals to the Absolute. But this isn't an academic Shirley MacLaine gazing through a rug into his own navel: the tough-minded Alexander shows that the early Turks knew some basic truths about structure, color and light that have been forgotten in our time"--Newsweek
About the Author
Christopher Alexander, winner of the first medal for research ever awarded by the American Institute of Architects, is an architect and builder who has built in many countries. He is also Professor of Architecture at the University of California, Berkeley, and Director of the Center for Environmental Structure.
Most helpful customer reviews
8 of 18 people found the following review helpful.
One drawback...
By Patrick Carroll
...shoddy binding.
Other than that, the book's great.
What I like about his writing is how relates the way your eye works to the way the carpets are designed and built. He yalks a lot about "centers" and about how a carpet can be that much more enjoyable when your eye can be drawn to sections which can be more-easily digested.
9 of 10 people found the following review helpful.
Great but not what you would expect
By Amazon Customer
Christopher Alexander is known among architects and maybe even more among computer enthusiasts. If you are one of them (us) and know his other work, you would be surprised by this book.
It deals with carpets, specifically Turkish carpets.
A friend of mine lent me this book and I was fascinated. It has a certain passion for its subject and its interesting even if you don't know anything and don't care anything about carpets. Author explains about some items in his quite large collection of carpets and why he finds them not only rare and valuable as an antique but also beautiful.
The beauty of a carpet lies in its pattern and here we get to familiar grounds (as for example in his �A Pattern Language�). A pattern consists not only of the ornament but also of the negative space, the area remaining. He explains on examples from his collection. And one wanders if there is yet another application of his theory beside architecture per se, computer design and carpets.
Still its quite expensive, but if you happen to lay your hands on it, go ahead and enjoy.
24 of 27 people found the following review helpful.
a quick & humble impression
By Jonathan Taylor
I got to take a look at this book in the UMASS non-circulating collection. It was beautiful, covered with a gold patterned cloth. Inside, the paper and reproductions of the carpets and art work were of the very best quality. I read the introduction and skimmed through the subsequent chapters. After my breif encounter with this book, I felt as though I had found the secret heart of Alexander's architectural theories. Somehow his passion for these carpets seemed to be the kernal from which his volumes have sprung.
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